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You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience. We worked on it together and it really came together.
So it was a case of two for the price of one really. You write these songs naively but you discover this stuff later. AM: There are plenty of mad women out there just like there are plenty of mad men. The number of girls getting in touch with me saying thank you for writing that song about me It was unbelievable. I thought is was a conceptual masterstroke putting two songs with the same name together on the album and then releasing them one after another as singles just to have them both chart AM: I tried to get that one past Virgin.
After the first one was a hit they said that they wanted to release the second one but could we change the name. With Architecture , I think the balance between the avant garde and your own innate pop sense is the most finely balanced.
Was that coincidence? Were you actually aiming for one thing over the other? We were wrong. We abandoned a lot of the sweet melodic aspect of what we did and went specifically, lyrically radical. We fell off the cliff basically.
We went too far for most people. I think that Dazzle Ships is as good a record if not better but you can cut this a number of different ways. There are big differences between critical and commercial success
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